Sprout Profile: Rachel E. Pollock, Costume Craft Artisan extraordinaire.

There are so many fascinating people using Sprout Patterns that we thought it would be cool to share their stories with you. Sooooo, we’d like to take this opportunity to introduce Rachel Pollock – Costume Craft Artisan extraordinaire and (lucky us!) our neighbor in Durham! Rachel caught our eye because of the very cool and outspoken Concord T-shirt she made using her Epithets Collection on Spoonflower—a collection of crass textiles inspired by DIY punk-rock clothing she used to own.

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In the fall of 2005, Rachel started working as a professor in UNC-Chapel Hill’s Costume Production MFA program and Costume Crafts Artisan for PlayMakers Repertory Company.  Before living in North Carolina, Rachel was in Los Angeles, where she’d been working in the costume shop of the LA Opera. Prior to that, she was the Costume Crafts Artisan at the American Repertory Theatre in Cambridge, MA, which is the professional theatre in residence on the campus of Harvard University, similar to how PlayMakers/UNC. And before that? LOTS of freelance all over the place!

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Dyeing fabric in the UNC studio

Where did you go to school? – I did my undergrad degree at the University of Tennessee Knoxville, in costume design and production. I hold an MFA in creative writing from the University of New Orleans with an emphasis in nonfiction/playwriting.

How long have you been sewing? Do you remember the Fisher-Price sewing machine? I had that as a kid and did some very simple stuff with it, but in high school my mom taught me to use her Singer, an antique machine that had belonged to my great-grandmother. That’s really the point at which I started making things from commercial patterns and not just “playing”-sewing.

Dream feature at Sproutpatterns.com – Honestly, my dream feature is to design a line of cut-and-sew hat patterns for Sprout! Is that selfish or what? 😀

For ten years, Rachel has been writing her blog, La Bricoleuse, on behind-the-scenes costume production processes. She writes it from the perspective of someone who makes costumes for theatre/TV/film for a living, but much of it is also of interest to hobby sewists, cosplayers, folks working in community theatre costuming, etc.

Screen Shot 2017-04-10 at 3.57.44 PM.pngWe’re especially and selfishly loving her series of review posts on Sprout Patterns projects. In a science-experiment-type way, Rachel is using Sprout as if she didn’t have the expert sewing experience she does. This includes cutting out the pattern at home (on the floor!), using scissors instead of a rotary blade, reading the instructions, and eschewing a serger for a zig zag or stretch stitch on a sewing machine.

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Her idea (and we agree with it) is that anyone could use Sprout for dancewear, sports jerseys, etc. in contemporary plays in which the Sprout/Spoonflower customization opens up huge possibilities for costume designers who might not have access to a traditional costume shop full of patternmakers and industrial machinery. No more painting on spandex or purchasing something that’s not quite right. (We swear, we didn’t pay her to say this!)

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Draping costumes for an upcoming show

Rachel understands the appeal for print on demand cut and sew, which is to create very specific, low-run garments that are easy to put together. What’s exciting about Sprout to Rachel (and many others) is that you don’t need an MFA in costume production and planning to make something that’s totally customizable and available to those groups with lower budgets than are typically found on Broadway.

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By this time, maybe you’re wondering about the story behind her synonym designs? I know we were! Rachel told me that the designs were originally created for a performance art piece. It was a highly conceptual dance project in which people would wear clothing with profanity on them and that sentiment would later be reclaimed in the action of the dance.

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The project and the nature of the costumes changed and they went in another direction visually. Fortunately in their agreement, Rachel still had ownership of the designs and so she went ahead and made them public and for sale on Spoonflower. People started ordering them and she realized she had a new fan base! When the Women’s March was announced, Rachel couldn’t go, but sponsored a friend’s trip and made scarves for them to wear. Visual statement? CHECK. Cozy and warm? CHECK.

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Want to make a statement with Rachel’s designs, but you don’t sew? Check out her Etsy shop, Troublesome Girl, offering scarves and headbands. Or her shop on Sprout to try your hand at sewing up a shirt. And thank you to Rachel for chatting and giving us a glimpse behind the scenes where she does her thing!

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Anna Dress Sprout Hack

Today’s guest blogger is Kelly, Director of Engineering over at Spoonflower. She also writes a blog where she focuses on sewing, weaving and reading. It’s called Dress Insouciantly – check it out!


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We’ve all had this moment before: It’s late at night and you got carried away working on a project when you realize you’re missing an essential element. But of course, the craft store is closed. Why oh why can’t craft stores be open at reasonable times? Say, 24-hours a day, 7-days a week? Sadly, I found myself in this position just last week.

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I’ve been eyeing By Hand London’s Anna dress ever since Sprout Patterns listed it. It looks elegant without being fussy, and can serve as both casual day dress or evening wear depending on what fabric you choose. With a birthday coming up, I decided now was the time, and designed the dress with a beautiful floral design called Winter Garden Antique from Ceciliamok. I chose the poly crepe de chine fabric because I love the light feeling it has and I really wanted that draped effect the slash-necked bodice has.

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As life so often goes, time caught up with me, and it was the night before my birthday party before I really got down to business and started sewing. I wasn’t worried though, this pattern is beautiful in its simplicity. The use of pleats in the bodice, instead of darts, makes it very easy to fit. And the long straight sides of the skirt are a breeze! And then, of course, I get to the very last step: the zipper. But wait, where is my zipper? I know I put it around here somewhere…

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Long story short, I had no 22inch zipper; what I did have was a 7-9 inch zipper. It was nearly midnight, there were no craft stores open anywhere. And yet, I was determined to wear this dress tomorrow, what could I do?

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Eventually, I realized that the zipper is really only needed for the narrowest part of the waist. Because the dress uses kimono sleeves instead of inset ones, and the bodice pleats encourage a relaxed fit and gathered look, the back of the dress isn’t actually supporting any structure. As long as the back of the neck is connected, the zipper really only needs to go as high as the bodice pleats. I decided that it would be completely possible to still finish the dress and create an open back feature.

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I set my 9inch zipper in the back seam so that the bottom of the zipper met the marks in the pattern and the top of it reached just past the bodice darts. Then I drew a gentle curve on the remaining section of each piece of the back bodice and cut away a little bit more than an inch of fabric. I hemmed these pieces with a double fold, making sure to catch the back facing in for a clean finish. I attached a button to the top of one back piece, and a loop of elastic thread to the other. Voila! I now have a key-hole back on my Anna dress!

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I am very pleased with how this dress turned out. I’m even happy I forgot to get a zipper of the right length; because of that mistake I ended up with a unique dress with an interesting feature. I feel like there are plenty of open back styles that would still work with the Anna dress pattern. You could add cross pieces, or cut the key-hole in a different shape, or don’t cut it out at all and let the pieces overlap each other for a more subtle look. With a little bit of extra scrap fabric you could create a draped cowl. Or you could add a large sculptural button for a statement piece… With so many ideas I’m going to have to save up to buy another Sprout dress again!

Sprout and a Girl’s Best Friend

Today’s Guest Blogger is Heather Dutton, the creative genius behind Hang Tight Studio. Besides being one of the nicest people we know, Heather is also a longtime Spoonflower designer! We asked Heather to create a special Harley Dog Jacket for her fur baby, Gracie Mae. Mutual dog lover, Caroline, sewed it up for her in warm and snuggly fleece.


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I’m not only beautiful, I’m also warm and cozy!

Two of the big loves in my life are designing patterns and my sweet Sussex Spaniel Gracie Mae. Being able to combine those two things & create a custom dog jacket for her made me wiggle with happiness 🙂

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Shelter dog Prince models the Harley Jacket, also in fleece

The first time I saw the Sprout dog jacket pattern I immediately fell in love with it. Winters in Maine can be brutal and Gracie definitely needs a little extra help staying warm on our morning beach walks.

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Mom, it’s cold on this beach!

I spent a lot of time trying to decide what kind of design I wanted to create for her jacket. I wanted the pattern to be something that reflected her fun personality and I wanted it to make me smile as much as she does.

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Baby Gracie. Winning cuteness awards globally

We were at the beach for our morning walk one day & that’s when I had my Ah Ha design moment.

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Where did that bird go!

Gracie’s totally in her element when we’re there and it’s the one place where all of her favorite things come together… Chasing birdies, swimming, playing frisbee, catching balls, getting cookies and shamelessly asking for belly rubs from all of her beach friends. It’s doggie nirvana! How cool would it be to have a design that celebrates my sweet girl?!

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I WILL find that bird!

When we got back from our walk I quickly grabbed some paper & started sketching Gracie doing all of her favorite things. I had a perma smile on my face the whole time 🙂 She’s such a character and it was so much fun to try to capture all of her silly poses and tail wags.

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Gracie Mae’s favorite things

When I was done sketching I scanned all of my drawings into my computer & started working on re-illustrating everything in Adobe Illustrator.

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After a little bit of playing around with the repeat & picking colors that would look extra cute with her red hair, my new “Gracie Mae Dog Days” design was done! I knew that the Sprout dog jacket had designs on the inside & outside of the coat so I created a fun stylized dog bone pattern to coordinate with the main print and give the jacket an extra pop of color.

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Ok, time for cookies and belly rubs!

This was the first time that I’d used Sprout & I can’t say enough amazing things about them! The whole process was incredibly easy & I’ve already started a wish list for other patterns that I want to try out! Gracie’s new jacket fits her perfectly (thanks to Caroline’s canine tailoring!) & I have to admit I had a little bit of coat envy. The fleece is so soft & snuggly, she’s probably going to be warmer than I am when we’re on our walks. One things for sure… she’s going to be the talk of the beach this winter & all of her friends are going to flip over her new jacket! Thanks so much Caroline and Sprout!


Heather.jpgHeather Dutton is an imaginative designer with a passion for pattern and color. After receiving a BFA from the Savannah College of Art and Design, Heather began her career as a fashion designer in San Francisco, combining her sense of style with her love for textiles. In 2000, she said goodbye to the world of fashion design and launched Hang Tight Studio, an innovative surface design studio.

Today, Heather runs a successful business, creating commissioned & licensed surface designs for companies across the U.S. and Europe. She’s been fortunate to work with a list of exceptional companies including Pottery Barn, Smith & Hawken, Tupperware, Real Simple, O.R.E, Andrews McMeel Publishing, and IMGS Custom Wallcoverings.

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Altering The Alder, Part 2: Adding Sleeves

Our guest blogger today is Kelly Walsh, the Director of Engineering at Spoonflower and an avid seamstress who loves a good hack. In the second of two parts, she explains how to alter the very popular Alder Shirtdress from Grainline Studio to add sleeves. If you missed it, part 1 of this post is here.


I don’t know about you, but I’m a sleeves girl. Short, long, three-quarter, poofy, flowy, bell, cap—about the only sleeves I don’t go for are the old historic ‘leg of mutton’ sleeves, I can’t imagine many things less comfortable looking. Sleeves are an extra element to an outfit, they’re another place to add detail, structure, balance, or style. The shape of a sleeve can totally change a garment. When I was looking at the Alder dress after my first round of alterations, I just felt like it was crying out for sleeves!

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Good news! Drafting a simple short sleeve is actually a lot easier than you think it is. There’s a fair number of choices to make along the way, but there are some things you can do to make it easier. The Alder is actually great for this modification because the bodice structure is pretty normal, and the armscye (AKA the armhole) is quite standard. If there’s a blouse or dress you’ve made before that has a similar shape, and sleeves you like, there’s a really good chance you can just lift that pattern piece wholesale and sew it right into the Alder. I wouldn’t recommend trying that without testing it on some scrap fabric first, just in case. But I can tell you that it’s worked for me in the past! There are a whole lot of great tutorials on the internet that go into a lot of detail, but I’ll touch on some of the basics of a simple short sleeve, and then look at how you might modify it for different shapes.

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There’s several important aspects to a basic sleeve shape that I really look at. The circumference of the bicep of the sleeve, the circumference of the armsyce (aka the armhole) of the garment you’re fitting it in, the “height” of the cap, and the length of the sleeve. On my super high tech drawing below, the red line represents the bicep of the sleeve. The purple line is the length of the sleeve from your shoulder until the end.

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The green line is the circumference of the armscye. And the light blue line is the “cap height,” or if you think about it another way, the difference between the length of the sleeve at your inner arm (armpit) and the length of the sleeve from your shoulder. You can also get this measurement by looking at the pattern pieces for your bodice, and measuring in a straight line from the side seam top corner straight up to the outside corner of the shoulder seam.

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Now, one of the most subtlest things about sleeves is how you draw that curve along the armscye. It can absolutely make the difference between a poofy sleeve, and a sleek tight fitting sleeve, and it’s all in what effect you want. I didn’t really want a poof sleeve here, but I’m also too lazy to do some of the intense work that is required for getting a perfectly fitted inset sleeve. And that’s where “ease” comes into play. It’s the fudge factor, the simplifier. It means that, for all intents and purposes I kind of eye-ball it, test it out, and in the end just go with it. Ease is your friend. The curve I draw might not fit perfectly into my armscye, but with some basting stitches and a tiny bit of fidgeting, I make it work.

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After taking my measurements, thinking about how long I wanted my sleeves, and using some tricks I learned before, this is the sleeve shape I came up with. One of those tricks, by the way, is to use Spoonflower to print what is effectively graph paper fabric. It’s a 1-inch grid printed directly on their basic cotton fabric, and it is GREAT for pattern drafting. You could even get a roll of it on gift wrap and use that way!

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Above you see my sleeve shape, with the red line representing the sleeve length. It’s about 9” inches, which I know from past experience works for me, and is similar to most other sleeve shapes I’ve found.

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This green line is the bicep line. Now, if you want sleeves that really hug your arms, you’d make measurement similar to your own bicep circumference. I like a bit of moving room, so I usually just draw the cap lines nearly vertically down. You can also even expand them a touch further out if you want a more flared shape. As long as this measurement is more than your bicep, it’s more about what style you’re looking for.

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The sleeve cap curves I usually draw with my french curve ruler. Its useful that way. But finding that “inflection point” where the concave curve becomes a convex curve is pretty important. Its easiest to do it with your bodice pattern pieces in mind. Think of it as the same point where the curve changes in the shoulder of those pattern pieces. This is where the fabric is curving around your arm, and finally folds into your armpit.

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There’s a blog post by ikatbag that goes into a whole lot more detail in this area that I really like. Check out her cardboard box demonstration if you really want a good understanding of how this curve and the cap height of your sleeve can really change its shape. If you’re curious I definitely recommend if.

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If you just want some sleeves and you want them now, then forge on ahead, trust yourself, and trust pattern makers who have gone before you. And when you’re drafting it all up, don’t forget your seam allowance! Trust me. It’ll go downhill fast if you forget that. Not that I ever do that of course (yeah right!)  If you want a basic short sleeve, you’re done, it’s really that easy. But there’s also a lot of things you can do to get interesting sleeve shapes.

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If you like cap sleeves, it’s as simple as shortening the length so that your entire sleeve is basically the cap height, and if you want the edge higher, just give that line a curve upwards.  There are so many sleeve options, but one of my favorites are called “tulip sleeves” or “petal sleeves.” They’re really only one extra step beyond a basic sleeve shape, but they add such a lovely detail that it instantly becomes the start of any garment.

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Tulip sleeves are made by visually layering the fabric in the sleeve with a curved edge, so that it looks like two flower petals over top each other. Seamwork Magazine has done a great tutorial on transforming a simple inset sleeve into a tulip sleeve, and I definitely recommend reading it as well, you can find it here.

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First you take your basic sleeve shape, and draw a curved line from one of the shoulder notches to the opposite corner. Yep, here comes that handy french curve ruler again!

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Then you do the exact same thing going in the other direction. Your one sleeve piece has now become two separate pattern pieces. Your two sleeves will actually require four smaller pattern pieces  (or 8, if you choose to line them.) See how their shoulder points line up, and overlap in the middle, and the bottom edge creates a flower like shape?

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Actually, this is the other reason I chose tulip sleeves for this Sprout Patterns project. When you’re working with scrap material, it’s frequently easier to find lots of small pieces than a few large pieces. I found it easier to fit four of these smaller curved pieces within the margins of fabric. But, if I’d wanted more expansive sleeves, I could have just bought a fat quarter of the same design from Spoonflower and that would have been more than enough extra fabric. It’s part of what makes the whole Sprout Patterns concept amazing!

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In the end, my sleeves looked like this, and in my mind they are just right for this dress. I love the playful effect the tulip shape gives them, which I think matches the gathered skirt and adds an overall balance to the garment.

Don’t be afraid of drafting your own sleeves, and experimenting with other shapes. It’s part of why so many people enjoy sewing, because they get to have some creative expression with what they make, and what they wear! There are a lot of great resources out there if you’ve seen a sleeve you like but have no idea how you’d go about making it.

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And don’t think that just because the lines are printed on the fabric, you’re trapped into that shape. Sprout Patterns is about helping you express your creativity in sewing, and it’s about giving you a starting place. Add onto what you’re given and change it up. See how many different ways you can use the scrap fabric to add unique details. A pocket, or a ruffle, or some sleeves. It’s all in what you can imagine.


kellybiopic.jpgKelly Walsh attended the NC School of Science and Mathematics and graduated from UNC Chapel Hill with a degree in Philosophy. She spends most of her free time reading, sewing the most elaborate Halloween costumes she can envision (and the occasional everyday outfit), and learning to weave on her 1900s Leclerc floor loom. Her favorite Sprout Pattern of the moment is the Archer Button Up. She joined the Spoonflower team in 2011 as a printer operator, and is currently the Director of Site Engineering.

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Altering The Alder, Part 1: Adding Darts

Our guest blogger today is Kelly Walsh, the Director of Engineering at Spoonflower and an avid seamstress who loves a good hack. Over the next week, in two parts, she will explain how to alter the very popular Alder Shirtdress from Grainline Studio to add sleeves and bodice darts.


If you’re like me, you got into sewing clothing because you’re never quite satisfied with the options you’re given. You always want to change a garment in some way, just to make it different, make it yours. It might be the fit you want to tweak, or maybe it’s the color or design on the fabric, or maybe it’s those small details to add flare. Whatever it is, the whole point of sewing your own clothing is that you can do whatever you want!

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The original 3D model on Sprout and my finished alteration!

I love the concept for Sprout Patterns, but whenever I tell friends about it, I usually hear the same thing: “That sounds so cool! But I’m not just one size, I grade between sizes. They can’t do that (yet!)” Or “That’s nice, but I always like tweaking the patterns I get. If it’s printed on the fabric, I can’t do that.”

Well, I’m here to say that yes, you absolutely can alter a Sprout Patterns garment. You have to get a little creative about it, and you have to plan ahead, but I’m convinced that 9 out of 10 alterations are possible on a Sprout Patterns project. You might have to play with the seam allowances, you might have to get creative with scrap fabric, you might even have to re-draft the bodice. But you’d be doing those things with a normal pattern anyways!

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To prove it to you, I’m going to show you the alterations I did on the Alder Shirtdress (View B) by Grainline Studio. I love florals, so I picked a beautiful vintage-ish design called Royal Garden by Oksana Pasishnychenko. Now, everyone I’ve talked to has either loved or hated the “B” option for the shirt dress. I don’t know what it is, but there is something about those gathers, or that line drawing which people either fall in love with, or are completely turned off by. Full confession: I was one of the people who swore I’d never sew it, it wasn’t for me. It’s not that it was a bad dress, just that I knew I’d look like I was wearing a bag. I love shirtdresses, but I’m all pear shaped, and I just didn’t “feel” that silhouette. So I gave myself a challenge: How would I use Sprout to turn the Alder Shirtdress B Variation into a dress that I loved and felt good in?

I made the bodice a bit more fitted and defined my waist by adding some darts, and I drafted some cute tulip sleeves. Here’s what the Alder looks like sewn up exactly as in the instructions.

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It’s not a bad dress by any means, but it just didn’t feel flattering. My hips are wide enough that I have to choose a larger size to fit them, and my bust is small enough that I lose all shaping between my shoulders and my hips. But once I added a couple of darts in both the front bodice and the back, I got a dress that looks like this:

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I already loved this alteration. I felt like I had a waist again! I could have stopped here and been perfectly pleased with myself, but that was almost too easy. I wanted a challenge to see what else I could do to change this dress just a bit more. I decided that I wanted something to balance the fullness of the skirt, and give the dress a bit more construction. I’m always more of a sleeves girl than a sleeveless girl, so I played with a couple of options and eventually decided on tulip sleeves. After all my alterations and playing, here’s the dress I finally ended up with:

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How to: Shaping up and adding darts

There’s a whole lot of ways you can change the shape of a bodice. Some of them are more dramatic than others, and some of them definitely take more effort than others. When considering doing so with Sprout, there are some important considerations to think about. If you’re going to attempt something a little more complicated, like a full bust adjustment, do the math ahead of time and make sure it will work.

Sprout does include a seam allowance in the printed area, which considering that is on every side of every pattern piece, does add up to a lot of “flex” room in how far you can shift a pattern piece before you reach the edge. You can also increase your “margins” by ordering up a size. You’ll have to do some drafting to get it back “down” to your size in certain areas, but it adds some possibilities. I’d definitely recommend checking out the “finished garment” dimensions if you’re planning anything complicated as that will help you plan out how the fabric pieces will match with your body, and how much room you have to shift things. And remember, the darts aren’t actually printed on the fabric for sprout, so you have all that fabric to play with too.

Personally though, I’m usually too lazy to go about doing the math to draft up a whole new bodice draft full bust adjustment craziness. With something that has a relaxed fit, like the Alder Shirtdress, I’m much more likely to simply drape any alterations right on my body or on the dressform.

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The Alder only has two horizontal bust darts that come in from the side seams. This is great for creating a subtle shape with a relaxed fit through the waist. However, I have a fairly small bust, and larger hips, and since I had to order the size that would fit my hips, it means the bodice is fairly large for me, and my waist gets utterly lost. According to the Alder size chart, my bust is a size 6, while my waist is a size 10, and my hips are a size 12. I ordered my dress as a size 12, and sewed it exactly according to the instructions, but I wasn’t a big fan of the results.

My goal was to re-emphasize the waist and find some definition around the bust area. The easiest way to do this was to follow classic bodice traditions and add in two vertical darts going from the waist up. I also added slightly smaller darts in the back as well.

Now, yes, you could get out your ruler, and do the math, and draw on your fabric, and if you’re like me get utterly confused. OR you could simply put the dress on inside out and pinch and pin the extra fabric around this area until you like the shape it creates on your body. Let’s be real, no one’s body is exactly symmetrical, no one’s body follows a set of generic math rules. You can draw all the straight lines you want, but I have yet to find a single straight line in my body. I find it so much easier to just map the fabric to my body while it’s on my body.

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It’s easiest to do this technique if most of the major seams (especially the shoulders and side seams) in the bodice are already sewn, even if they’re only basted together. I didn’t plan overly well, and so I had done everything on my dress, down to even finishing the interior seams, before I decided to add these darts. That’s probably going too far, as you never know if you’ll want to let out a side seam to make the front dart larger, but it ended up working out in the end.

Here’s me with the dress on inside out, and where and how I ended up positioning the darts. They’re not perfectly even, that’s because my stomach isn’t perfectly flat. Maybe yours is, you lucky duck! There’s not identical, because one side of my body is actually a slightly different shape than the other. This isn’t unusual either, most people are slightly asymmetrical.

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IMPORTANT: Definitely double check yourself on this one. Put the dress on and off and on and off again, inside out and right side out, look and see if the fabric is puckering anywhere. Shift things around. Realize you liked it better the other way and shift it back again. Take in the side seams, let them out again. Make sure the dress is hanging off your shoulders straight, and you’re not slouching. Wear the bra that you’re most like to want to wear with this dress. Don’t drape a dress on your body while wearing a bra that you won’t want to wear with the dress, it changes your body, and therefore will change the shape of the dress!

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Once you feel good about where your darts are pinned, bast them. Then triple check yourself one last time. Then stitch them, and press them towards the center, just like always. And presto! You’ve made a bodice that fits your body, and fits how you want, better than any pattern could ever guess. All without any math at all.

Here’s some inside out photos of my darts, front and back.

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The front darts taper off at the top and the bottom, because of how the front panels of the Alder work. The top of the dart rests just below the point of my bust, and the bottom dips just under my natural waist. The back darts end at their widest point at the waist line. Remember that you’ll have to compensate with the gathers here, since you’re effectively removing fabric from the waistline, your gathers in the back skirt will have to be slightly denser to match lengths.

This one simple change was easy to do and changed this dress for me. And it doesn’t require any extra fabric, any math or drafting skills. I’ll say it again, you can alter sprout patterns projects! It’s okay if your entire body is not just the one size. You can get great results by simply adding some darts and shaping the fabric to your body.

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Tune in next week for Part 2: DRAFTING SLEEVES!


KellyBiopic.jpgKelly Walsh attended the NC School of Science and Mathematics and graduated from UNC Chapel Hill with a degree in Philosophy. She spends most of her free time reading, sewing the most elaborate Halloween costumes she can envision (and the occasional everyday outfit), and learning to weave on her 1900s Leclerc floor loom. Her favorite Sprout Pattern of the moment is the Archer Button Up. She joined the Spoonflower team in 2011 as a printer operator, and is currently the Director of Site Engineering.

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Madalynne’s Best Sewing Blogs of 2016

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One of the things I love most about being involved in the online sewing community is the support and enthusiasm fellow sewists have about me-made garments. Any time I have an issue with a pattern, especially with a pattern by an indie maker, I can just hop online and find help and examples from others around the world.

Here at Sprout, we are constantly adding new bloggers and makers to our follow lists. We love the level of participation the sewing community has on social media; the traditional art of making clothing and textiles is being joined beautifully with the power of social media. Process shots, reviews, fit issues and solutions, dancing around in brand new, inspiring creations is all part of the fun!

Last year, when I was really becoming interested in upping my home sewing game, I discovered the blog Madalynne and with it her awesome “Best Of” lists for sewing blogs. It’s a heavenly list of the best sewing blogs of the past year and is voted on by sewists. In fact, this past year over 2,000 people voted for their favorites. Through Madalynne’s collection of bloggers, I’ve discovered new favorites like House of Pinheiro, Cashmerette, and the hilarious Oonabaloona. And don’t forget about the indie pattern company category! Grainline Studio, one of our lovely partners, is a finalist and has received the honor for multiple years.

Looking for a new source of sewing inspiration? Check out Madalynne’s list or browse projects on Sprout!

Happy sewing – – – – – – –
Nicole


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Nicole heads up Product Development at Sprout Patterns. She has a background in fashion development and design and a passion for businesses that do good, which has taken her to places like Uganda, Pakistan, and now Durham, NC. In her spare time, you can either find Nicole in her home studio creating with her kitten by her side or exploring new places around town and abroad. She loves live music, Asian cuisine, and laughing.